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¡°Taken together-which they should be-Before Sunrise and Before Sunset make up one of the supreme movie romances of the post-eighties era, an affair of the film and flesh to make the heart leap and the mind dance.¡± ?Chicago Tribune |
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Before Sunrise 1
Before Sunset 111 |
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Fade in.
1
INTERIOR: TRAIN - AFTERNOON
The Eurail rolls along. Inside, passengers sleep, read, and stare out the window. A few walk up and down the aisles.
C00ELINE, a young woman in her mid-twenties, is curled up in her seat reading Georges Bataille's Story of the Eye. Strikingly attractive, she plays it down by wearing no makeup, a loose-fitting vintage dress, and flat shoes. She continues reading while taking an occasional bite of a chocolate bar. Sitting four rows back and on the other side of the aisle,
JESSE, also mid-twenties, is engrossed in Klaus Kinski's memoir, All I Need Is Love. Casually good-looking but a little scruffy, he dresses in the jeans and T-shirt mode. Suddenly a couple, two fortyish types who have been arguing semiquietly in the seat behind CELINE, start yelling at each other in German. The WIFE takes a swipe at the newspaper the HUSBAND has been screening himself behind.
WIFE Will you put down that damn newspaper and listen to me?
HUSBAND What've I been doing the last thirty minutes? Would you shut up for Chrissake?
WIFE You shut up! How dare you tell me to shut up! It's the same damn thing all over again! I can't believe-
HUSBAND I said shut up! I'm putting down my newspaper and telling you to shut up.
CELINE suddenly gets up, grabs her bag, and starts looking for another seat. A few rows back, she finds a seat across the aisle from JESSE. Before sitting down, they make brief eye contact and kind of shake their heads and smile at the tension. Just as she settles in and goes back to her book, the WIFE gets up and storms down the aisle. JESSE and CELINE follow her with their eyes, and as she passes them they find they are looking right at each other. He makes a funny "uh-oh" face.
JESSE Do you have any idea what they're arguing about? Do you speak English?
CELINE Yes. But no, I don't know. My German is not that good. (a beat) Have you ever heard that as couples get older they lose their ability to hear each other?
JESSE Really?
CELINE Supposedly men lose their ability to hear higher-pitched sounds and women eventually lose hearing on the low end. I guess they sort of nullify each other or something.
JESSE Must be nature's way of allowing couples to grow old together and not kill each other, I guess. There's a slightly awkward moment where they don't know if they should continue talking or not. She glances back down at her book but he keeps looking at her.
JESSE (continued) What are you reading? She holds up the book so he can see what it is.
CELINE How about you? He shows her what he's reading. Neither has much to say about the other's reading material.
CELINE (continued) There are so many weird people on the train, no? Last week on my way to Budapest I was sitting and talking with four other people in the lounge car and it turned out that three of them had killed people. |
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ÀúÀÚ
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Richard Linklater
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¿¡´Ü ȣũ
¹Ì±¹ÀÇ ¹è¿ìÀÌÀÚ °¨µ¶, ¼Ò¼³°¡, ½Ã³ª¸®¿À ÀÛ°¡. 1970³â Åػ罺 ÁÖ ¿À½ºÆ¾¿¡¼ ž´Ù. ÇÐâ ½ÃÀý¿¡´Â ¿¬±â ¼ö¾÷À» ¹Þ´Â ÇÑÆí ÀÛ°¡¸¦ ²Þ²Ù´ø ¹®ÇÐ ¼Ò³âÀ̱⵵ Çß´Ù. Ä«³×±â¸á·±´ëÇб³¿¡ ÀÔÇÐÇØ ¿¬±â¸¦ °øºÎÇÏ´ø ±×´Â 1989³â ¿µÈ <Á×Àº ½ÃÀÎÀÇ »çȸ>¿¡¼ DzDzÇÑ ¹Ì¼Ò³â Åäµå·Î µîÀåÇÏ¸ç ¼¼»ó¿¡ À̸§À» ¾Ë·È´Ù. ±× ÈÄ <Æ®·¹ÀÌ´× µ¥ÀÌ>(2001)¿Í <º¸ÀÌÈĵå>(2014)·Î ¾ÆÄ«µ¥¹Ì ³²¿ìÁ¶¿¬»ó Èĺ¸¿¡ µÎ ¹ø ¿À¸£´Â µî źźÇÑ ¿¬±â·ÂÀ» ¼±º¸¿© ¿Ô´Ù. ¸®Ã³µå ¸µÅ¬·¹ÀÌÅÍ °¨µ¶ÀÇ <ºñÆ÷ ¼±¶óÀÌÁî> 3ºÎÀÛÀÇ ÁÖÀΰøÀ¸·Î È°¾àÇßÀ¸¸ç, ±×Áß <ºñÆ÷ ¼±¼Â>(2004)°ú <ºñÆ÷ ¹Ìµå³ªÀÕ>(2013)ÀÇ ½Ã³ª¸®¿À ÁýÇÊ¿¡ Âü¿©ÇÏ¿© µÎ Â÷·Ê ¸ðµÎ ¾ÆÄ«µ¥¹Ì °¢»ö»ó Èĺ¸¿¡ À̸§À» ¿Ã¸®¸é¼ ÀÛ°¡·Îµµ µÎ°¢À» µå·¯³Â´Ù. ¹è¿ì È°µ¿À» Àá½Ã ¸ØÃß°í ´º¿å´ë¿¡¼ ¿µ¹®ÇÐÀ» °øºÎÇϱ⵵ ÇÑ È£Å©´Â ¼Ò¼³ ¡ºÀÌÅä·Ï ¶ß°Å¿î ¼ø°£¡»(1996)°ú ¡ºÀ¢Áîµ¥ÀÌ¡»(2002)¸¦ ¹ßÇ¥ÇÏ¿© Æò´ÜÀÇ È£ÆòÀ» ¾ò¾ú´Ù. ù ¹ø° ¼Ò¼³À» ¿µÈÈÇÑ <ÀÌÅä·Ï ¶ß°Å¿î ¼ø°£>¿¡¼´Â Á÷Á¢ ¸Þ°¡ÆùÀ» Àâ´Â µ¿½Ã¿¡ ÁÖÀΰøÀÇ ¾Æ¹öÁö·Î Ã⿬Çϱ⵵ Çß´Ù. ¼¼ ¹ø° Ã¥ ¡º±â»çÀÇ ÆíÁö¡»¿¡¼ ¿¡´Ü ȣũ´Â ÀÚ½ÅÀÇ °³ÀÎÀû üÇè»Ó¸¸ ¾Æ´Ï¶ó ¾Æ¸Þ¸®Ä« ¿øÁֹΠ¿ìȸç Áß±¹ °í»ç, ºÒ±³ ¼³È °°Àº ¿¾À̾߱⿡¼ ¿µ°¨À» ¾ò¾î À籸¼ºÇÑ ¿¡ÇǼҵåµéÀ» ÅëÇØ Áß¼¼ÀÇ ±â»çµµ¸¦ Çö´ëÀûÀ¸·Î ÀçÇؼ®ÇÑ´Ù. ÁÖÀΰø Åä¸Ó½º ·¹¹Â¾ó ȣũ °æ°ú ¶È°°ÀÌ ³× Àڳฦ µÐ ¿¡´Ü ȣũÀÇ »ç¶ûÀÌ ÁøÇÏ°Ô ¹¯¾î ³ª¿À´Â ÀÌ ÀÛÇ°ÀÇ ÀÏ·¯½ºÆ®´Â ¾Æ³» ¶óÀ̾ð ȣũ°¡ ±×·È´Ù.
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Rules for a Knight | ¿¡´Ü ȣũ | Alfred A. Knopf
A Bright Ray of Darkness | ¿¡´Ü ȣũ | Knopf
Á×Àº ÀÚµé | ¿¡´Ü ȣũ | À§Áî´ýÇϿ콺
±â»çÀÇ ÆíÁö | ¿¡´Ü ȣũ | ºÎÅ°
Ash Wednesday | ¿¡´Ü ȣũ | Random House
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Linklater, Richard
Richard Linklater, a screenwriter and director, has made twelve films, including Slacker, Dazed and Confused, Waking Life, and School of Rock. He is based in Austin.
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Delpy, Julie
Julie Delpy was born in Paris and appeared in her first film when she was fourteen. She is best known for her roles in Three Colors: Red and White. She lives in Los Angeles.
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Krizan, Kim
Kim Krizan has written numerous screenplays, including historical biographies of Mata Hari and Ana?s Nin that are currently in development. She appeared as an actor in Slacker, Dazed and Confused, and Walking Life. She lives in Los Angeles with her husband.
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