제1부 제1장 시란 무엇인가? 1. 시와 시 아닌 것·································································13 2. 시의 기원과 이론적 장르로서의 시······································15 3. 역사적 장르로서의 시와 우리 시의 전개·······························21 4. 시에서 시적인 것으로·························································27 제2장 좋은 시란 무엇인가? 1. 좋아하는 시와 좋은 시·······················································32 2. 좋은 시를 판단하는 4가지 기준···········································35 3. 시의 감상과 분석 방향·······················································52 제2부 제3장 시는 대화다 1. 시인과 독자······································································61 2. 화자의 정의와 시인과의 관계··············································65 3. 화자와 비슷한 다른 개념들·················································68 4. 시 읽기와 화자의 구성 방법················································71 제4장 화자와 어조 1. 화자의 유형에 관한 문제····················································78 2. 어조의 정의와 유형화 방법·················································80 3. 화제와 어조: 정서적 거리에 따른 태도·································81 4. 청자와 어조: 위계에 따른 태도············································87 5. 화자와 어조: 이중성에 따른 태도········································89 제5장 어조의 종류 1. 아이러니···········································································92 2. 역설·················································································97 3. 아이러니와 역설의 복합적 효과········································· 101 4. 패러디와 패스티시··························································· 106 제3부 제6장 시는 낯설게 하기다 1. 시의 언어에 대한 오해들·················································· 115 2. 일상 언어의 특징····························································· 117 3. 일상 언어의 낯설게 하기·················································· 123 제7장 기의를 낯설게 하기 1. 기의를 낯설게 한다는 것의 의미········································ 126 2. 이미지············································································ 130 3. 비유··············································································· 145 4. 상상력과 동일성의 시······················································ 162 제8장 기표를 낯설게 하기 1. 기표를 낯설게 한다는 것의 의미······································· 166 2. 언어의 형태를 낯설게 하기··············································· 168 3. 언어의 소리를 낯설게 하기··············································· 172 4. 언어의 종합적 효과로서의 리듬········································ 182 용어 색인 작품 색인 인명 색인