´ë·®±¸¸ÅȨ >
¿¹¼ú/´ëÁß¹®È­
>
¿¹¼ú
>
¿¹¼úÀÎ

ÆîÃ帱â
¼Û¼ö³²(Soo-Nam Song)
Á¤°¡ 20,000¿ø
ÆǸŰ¡ 18,000¿ø (10% , 2,000¿ø)
I-Æ÷ÀÎÆ® 200P Àû¸³(1%)
ÆǸŻóÅ ÆǸÅÁß
ºÐ·ù ¿¹¼úÀÎ
ÀúÀÚ ¼Û¼ö³²
ÃâÆÇ»ç/¹ßÇàÀÏ Àç¿ø / 2014.11.24
ÆäÀÌÁö ¼ö 112 page
ISBN 9788955751758
»óÇ°ÄÚµå 226903971
°¡¿ëÀç°í Àç°íºÎÁ·À¸·Î ÃâÆÇ»ç ¹ßÁÖ ¿¹Á¤ÀÔ´Ï´Ù.
 
ÁÖ¹®¼ö·® :
´ë·®±¸¸Å Àü¹® ÀÎÅÍÆÄÅ© ´ë·®ÁÖ¹® ½Ã½ºÅÛÀ» ÀÌ¿ëÇÏ½Ã¸é °ßÀû¿¡¼­ºÎÅÍ ÇàÁ¤¼­·ù±îÁö Æí¸®ÇÏ°Ô ¼­ºñ½º¸¦ ¹ÞÀ¸½Ç ¼ö ÀÖ½À´Ï´Ù.
µµ¼­¸¦ °ßÀûÇÔ¿¡ ´ãÀ¸½Ã°í ½Ç½Ã°£ °ßÀûÀ» ¹ÞÀ¸½Ã¸é ±â´Ù¸®½Ç ÇÊ¿ä¾øÀÌ ÇÒÀιÞÀ¸½Ç ¼ö ÀÖ´Â °¡°ÝÀ» È®ÀÎÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.
¸ÅÁÖ ¹ß¼ÛÇØ µå¸®´Â ÀÎÅÍÆÄÅ©ÀÇ ½Å°£¾È³» Á¤º¸¸¦ ¹Þ¾Æº¸½Ã¸é »óÇ°ÀÇ ¼±Á¤À» ´õ¿í Æí¸®ÇÏ°Ô ÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.

 ´ë·®±¸¸ÅȨ  > ¿¹¼ú/´ëÁß¹®È­  > ¿¹¼ú  > ¿¹¼úÀÎ
 ´ë·®±¸¸ÅȨ  > ½Ã/¿¡¼¼ÀÌ  > Àι°/ÆòÀü  > °ÇÃà/¿¹¼úÀÎ

 
°ø±¸(Gong-Goo) 22,500¿ø (10%)
±Ç±âö(Ki-Chul Kwon) 22,500¿ø (10%)
¼Û¼ö³²(Soo-Nam Song) 18,000¿ø (10%)
°û³²½Å(Nam-Sin Kwak) 18,000¿ø (10%)
±Ç±â¼ö(Ki-Soo Kwon) 18,000¿ø (10%)
          
 

 
Ã¥³»¿ë
µµ¼­ÃâÆÇ Àç¿ø¿¡¼­´Â ³²Ãµ ¼Û¼ö³²ÀÇ Àü ÀÛ¾÷À» °³°ýÇÏ´Â ÀÛ°¡·ÐÀ¸·Î ±¸¼º, Ãâ°£ÇÏ¿´´Ù. ¹æ´ëÇÑ ³²ÃµÀÇ ÀÛ¾÷À» ´Ù º¸¿©ÁÙ ¼ö´Â ¾ø¾úÁö¸¸ ³²Ãµ²²¼­ ÀÛ¾÷ÇϽŠ¹æ½ÄÀÇ ´Ù¾ç¼ºÀ» º¸¿© ÁÖ·Á´Â ³ë·ÂÀº ÇÏ¿´´Ù. ´ëÇ¥ÀÛ°ú ´õºÒ¾î °¡´ÉÇϸé ÀϹÝÀεéÀÌ Àß º¸Áö ¸øÇÏ¿´´ø ÀÛÇ°µé À§ÁÖ·Î ¼ö·Ï ÀÛÇ°µéÀ» ¼±Á¤ÇÏ¿´´Ù. ÀÌ¹Ì Àß ¾Ë·Á Á³Áö¸¸ ³²ÃµÀº 70³â´ë ÈĹݺÎÅÍ 80³â´ë¸¦ °ÉÃÄ Çѱ¹È­, ƯÈ÷ ÀüÅë ¼ö¹¬È­¸¦ Çö´ëÈ­ ½ÃÅ°´Â Àå¾öÇÑ ¹®È­¿îµ¿ÀÇ ½Ã¹ßÀÚ¿´°í ¿Ï¼ºÀÚ¿´´Ù. ±× ÈÄ Çѱ¹È­¸¦ ÇÏ´Â ¸¹Àº »ç¶÷µéÀÌ ±× ¿µÇâ¿¡ ±âÀÎÇÏ¿© Çѱ¹È­¸¦ ¸î ´Ü°è ¾÷±×·¹ÀÌµå ½ÃÅ°°Ô µÇ´Â °á°ú¸¦ ¸¸µé°Ô µÈ´Ù. ¹°°ú ¸Ô ±×¸®°í ÇÑÁö°¡ ¾î¿ì·¯Áø ³²ÃµÀÇ ÀÛ¾÷À» °ÅÄ¡¸é¼­ »õ·Î¿î Á¶Çü¾ð¾î°¡ ź»ýµÈ °ÍÀÌ´Ù. µ¶ÀÚµéÀº ÀÌ Ã¥À» ÅëÇØ ±×·± ³²ÃµÀÇ À§´ëÇÑ ¹ßÀÚÃ븦 Á¶±ÝÀ̳ª¸¶ ¸Àº¸°í ´À³¢¸®¶ó »ý°¢ÇÑ´Ù. [ ÀÛ°¡ ¿¬º¸ ] Soo-Nam Song (1938~2013) 1938 Born in Jeonju, Jeollabuk-do, Korea 1956~1963 Graduated from Department of Oriental Painting, Hongik University Career 1975~2003.2 Professor of department of Oriental Painting, Hongik University Director of the Hongik University Museum Director of the Research Center for Contemporary Visual Art, Hongik University Director of the Institute of Education For Culture and Arts, Hongik University Director of the Institute of Art Education, Hongik University The 15th awarding committee on Korea Fine Arts Prize Awarding committee on the Joong-Ang Art Grand Prix The 1, 5th Operation and awarding committee on Korea Fine Arts Prize Operation and awarding committee on Dong-A Art Festival Operation committee on Seoul Art Grand Prix Member of Seoul Art Member of Korea Artists Association Awards 1990 The First prize for the 16th Joong-Ang Art Grand Prix 1996 Prize of the best literary Korean Painter, the Literary Men¢¥s Association 2004 Hwangjo Geunjeong, the Order of Service merit, Yellow Stripes 2007 Prize of Korea Artist 2013 Engwan, the Order of Culture Merit Solo Exhibitions 1956 Solo Exhibition, Jeonju 1964 Invitation Solo Exhibition, Village Gallery, New York Solo Exhibition, Seoul 1967 Solo Exhibition, Jeonju 1969 Song Soo-nam Korean Painting Exhibition, Newspaper Hall Gallery, Seoul 1973 Song Soo-nam Solo Exhibition, Shinsaegae Gallery, Seoul 1974 Invitation Solo Exhibition, Yang ji Gallery, Seoul 1975 Invitation Solo Exhibition at Sweden National Oriental Museum, Stockholm 1977 Invitation Solo Exhibition, Maekhyang Gallery, Daegu 1978 Solo Exhibition, Dongsanbang Gallery, Seoul Invitation Solo Exhibition, New York Gallery, New York 1980 Hawaii University Invitation Exhibition commemorates Korean Center Opening, Hawaii University 1983 Song Soo-nam Solo Exhibition, Hyundai Gallery, Seoul Invitation Solo Exhibition, Maekhyang Gallery, Daegu Invitation Solo Exhibition, Chosunbichi Gallery, Busan 1984 Song Soo-nam Solo Exhibition, Korean Cultural Center, New York 1985 Song Soo-nam Printmaking Exhibition, Cho Sun Gallery, Seoul 1986 Oriental Painting Invitation Exhibition, Gangnam Hyun Dae Gallery Song Soo-nam Invitation Exhibition, Jin Gallery, Busan 1988 Nature and City Exhibition, Dongsanbang Gallery, Seoul 1989 Namcheon Printmaking Exhibition, Cheung Jak Art Hall, Seoul 1991 Sumuk of Four Seasons Exhibition, Gallery Seo Ho, Seoul 1995 Namcheon Song Soo-nam's Solo Exhibition, Gong Pyong Art Center, Seoul 1997 Nature and Meditation Exhibition, Yenar Gallery, Seoul Namcheon Song Soo-nam, Total Museum of Art, Seoul 2002 Namcheon Song Soo-nam, Gallery Rho, Seoul 2004 Namcheon Song Soo-nam, Master of Sumuk in Our Times, Gana Art Center, Seoul 2005 Solo exhibition-'The flower is in mind', Gallery Rho, Seoul 2008 Solo exhibition, Baiksong Gallery, Seoul Solo exhibition, Galerie-gaia, Seoul 2009 Solo exhibition, Woong Gallery, Seoul Invitation Solo Exhibition, Gallery H, Seoul 2010 Namcheon Song Soo-nam, Sori Arts Center of Jeollabuk-do, Jeonju 2011 Solo exhibition, W-Gallery, Iksan 2012 Solo exhibition, Galerie-gaia, Seoul 2013 Solo exhibition, Gallery Rho, Seoul 1980's Artists of Art Movement-Namcheon Song Soo-nam, Jeonbuk Museum of Art Invitation Exhibition, Hampyeong Museum of Art 2014 Special Exhibition of The Donation Artist-Master of Sumuk, Namcheon Song Soo-nam, National Museum of Modern and Contemporary Art Group Exhibitions 1964 Invitation Exhibition of Modern Artists, Chosun Ilbo 1967 The 9th Tokyo International Biennale, Tokyo, Japan 1970 Korean Art Grand Prix Invitation Exhibition, National Museum of Modern and Contemporary Art, Korea The 2nd India Triennale, New Delhi, India 1971 Korean Painting of Today, Myeong-dong Gallery 1972 The 7 Korean Contemporary Artists, Asian Foundation Gallery, San Francisco 1973 The 10 Korean Painting Art Exhibition, Tokyo The 12th S?o Paulo Biennale, Sao Paulo, Brazil 1974 Korean Contemporary Painting Exhibition, Song Pan Sil Gallery, Tokyo HyunDai Gallery Coordinated Exhibition, Hyun Dai Gallery, Seoul Invitation Exhibition of the 6 Oriental Painting Artists, USA, Áö¿ª? Korean Contemporary Painting, Dong Ho Gallery, Nagoya 1975 Invitation Exhibition of the 7 Oriental Painting Artists, Shinsaegae Gallery, Seoul 1976 Invitational Exhibition of 21 Artists, Dongsanbang Gallery, Seoul The Grand Exhibition of Korean Contemporary Painting, National Museum of Modern and Contemporary Art 1977 The 13th Asian Contemporary Art Exhibition, Tokyo Korean Art Grand Prix Invitation Exhibition, National Museum of Modern and Contemporary Art Korean Contemporary Painting Exhibition, Australia 1978 Exhibition of the 12 Oriental Painting Artists, Newspaper Hall Gallery, Seoul Korean Art 20 Year Trend Exhibition, National Museum of Modern and Contemporary Art 1979 Korean Nature on eyes of Oriental Painter, National Museum of Modern and Contemporary Art Korean Art-Method of Today, Fine Art Center 1981 Drawing Exhibition of Korean Contemporary Artists, Brooklyn Museum, New York Drawing 81, National Museum of Modern and Contemporary Art The 7th Seoul Contempory Art Festival, Fine Art Center The 6th Ecole de Seoul, Kwanhoon Museum Four Artists Exhibition of Sumuk Painting, Dongsanbang Gallery Baik Sang Art Competition, Baik Sang Memorial Hall Exhibition of Today's Traditional Painting 81, Kwanhoon Gallery Sumuk Painting Exihibition, National Museum of Modern and Contemporary Art 1982 Meok, Dot and Line Exhibition, Kwanhoon Gallery Korean Contemporary Art Exhibition, Milano, Italy International Contemporary Sumuk Painting Association Exhibition, History Museum, Taiwan '82 Korea-China Modern Painting and Writing Exhibition, National Museum of Modern and Contemporary Art Today's Sumuk Painting Exhibition, Songwon Gallery Contemporary Artists' Printmaking and Drawing, Koryo Gallery '82 Traditional Painting Exhibition, Kwanhoon Gallery 1983 '83 Contemporary Art Invitation Exhibition, National Museum of Modern and Contemporary Art Contemporary Korean Sumuk Painting Exhibition, Brooklyn Museum, NewYork, U.S.A. Korean Painting-Today's Trend Exhibition, Fine Art Center Contemporary Korean Sumuk Painting Exhibition(U.S.A., U.K., Germany, France) New Formative Art with Paper Works Exhibition, Taiwan 1984 '84 Contemporary Art Invitation Exhibition, National Museum of Modern and Contemporary Art Exhibition of Korean Contemporary Art of 1960s, Walkerhill Museum Today's 23 Artists, Dongbang Museum Korean Contemporary Art Exhibition, Taipei Fine Arts Museum, Taiwan International Korean Contemporary Sumuk Painting Exhibition, Fine Art Center The Section of Korean Painting, Fine Art Center Contemporary Korean Paper Exhibition, Washington University Trend of 1970s' Korean Contemporary Art, Walkerhill Museum 1985 '85 Contemporary Art Invitation Exhibition, National Museum of Modern and Contemporary Art Korean Painting's Direction, Fine Art Center The Situation of Korean Painting of Today, Chungtop Gallery Korean Painting-Today and Prospect of Future, Walkerhill Gallery The Perspective of Contemporary Korean Painting, Kwanhoon Gallery The Direction of Contemporary Sumuk Painting, Sa-In Gallery, Busan 1986 Korean Painting-The Diversity, Fine Art Center Korean Contemporary Art-The Past and Present, National Museum of Modern and Contemporary Art Invitation Exhibition of The Colored Muk, Hyundai Gallery Asian Contemporary Ink Painting Exhibition, Fine Art Center Compression-Korean Painting's Phenomenon, Arcormo Museum, Seoul Korean Painting 100 Years, Ho-am Art Museum 86¡® Seoul Art Exhibition, National Museum of Modern and Contemporary Art 1987 Black and White Exhibition in Korean Contemporary Art, National Museum of Modern and Contemporary Art '87 Contemporary Art Invitation Exhibition, National Museum of Modern and Contemporary Art New Expression of Korean Painting, Fine Art Center 1988 Contemporary Korean Painting Exhibition, Ho-am Art Museum The 24th Seoul Olympic Art International Contemporary Art Exhibition, Seoul Conversion of Recognition about Korean Painting, Kwanhoon Gallery Contemporary Korean Painting Exhibition, Taiwan International Contemporary Painting Exhibition, National Museum of Modern and Contemporary Art Nature and City, Dongsanbang Gallery Contemporary Art Invitation Exhibition, National Museum of Modern and Contemporary Art Korean Contemporary Painting Exhibition, Ho-am Art Museum Images of Today, Sigong Gallery The Celebration Exhibition of Chosun Daily News Art Gallery, Seoul '88 Invitation Exhibition of Modern Art, National Museum of Modern and Contemporary Art, Gwacheon 1989 '89 Korean Contemporary Painting Exhibition, Ho-am Art Museum '89 Invited Artists Exhibition, Kwanhoon Gallery Seoul Art Exhibition, Seoul Museum of Art The perspective of Human and Nature, Kumho Museum Card Work Invitation Exhibition, Seoul 7 Korean Painting Artists of Today, Japan Korean Contemporary Art Exhibition, National Museum of Modern and Contemporary Art 1990 Winter Exhibition, 63 Gallery Human and Nature, National Museum of Modern and Contemporary Art The Light of the East(¥±), Kief City Museum, Russia Exhibition of Today's Seoul, Fine Art Center The Road to the Baik-Doo Mountain, Lotte Art Gallery Korean Art-Situation of Today, Art Palace Korean Contemporary Painting Exhibition, Ho-am Art Museum 1991 6 Artist's Exhibition, Daelim Gallery Korean Contemporary Art Exhibition, National Museum of Modern and Contemporary Art Korean Painting-Materiality and the Spirit of the Time, Korea Arts & Culture Education Service Korean Contemporary Art Exhibition-Groping for the Korean Characteristics, Hanwon Gallery Circulating Exhibition of Korean Contemporary Art, Yugoslavia Korean Contemporary Painting Exhibition, Ho-am Art Museum 1992 The Artery of Korea-Groping for Korean Characteristic, Seonam Art Gallery The Line and Expression-Contemporary Korean Painting Exhibition, Ho-am Art Museum Korean Contemporary Art Exhibition-Groping for the Korean Characteristics(¥³), Hanwon Gallery 1993 Nature and the Spirit of Korean Painting, Fine Art Center Korean Art-The Past and the Present, Hallim Gallery In-Wang Mountain 1993, Seonam Art Center Printmaking Exhibition, Yeong-dong Arthall 1994 Representation of the Korean Intelligence, Hangaram Art Museum Seoul International Contemporary Art Festival, National Museum of Modern and Contemporary Art Re-Discover of Sumuk, Gongpyeong Art Center Union of Consciousness, Fine Art Center Contemporary Arts 40 Years, Ho-am Art Museum 1995 Development of the Korean Contemporary Painting 50 Years, Hallim Gallery, Daejeon Korean Contemporary Painting Exhibition(Seoul, Daejeon, Beijing) Seoul Art Exhibition, Seoul Museum of Art UNESCO Invitation Exhibition for 50 Korean Artists, UNESCO, Paris Country's Nature Exhibition, Korea Arts & Culture Education Service 1996 Today's Korean Paintings-Context and Development, Dukwon Gallery Korean Paintings-The way of Proliferation, Seonam Art Center Korean Images, Aotea Centre, Auckland Korean Theme Art Exhibition-Green Days, HakgoJae Prominent Artists Exhibition with Jeonju MBC, Samyang Cultural Space, Jeonju Development of Korean Modernism Art, Kumho Museum Representation of Korean Contemporary Painting, Dongsanbang Gallery Joongang biennale, Seoul Museum of Art Ecole de Seoul, Kwanhoon Gallery Korean Contemporary Arts Exhibition: The Present and future, Hongik University Museum BESETO International Paintings and Calligraphic Works, Seoul Museum of Art Model of Korean Contemporary Arts Exhibition, Ji Yeon Gallery SAIF, Pacipic Hall, COEX The Developement of Korea Modernism, Kumho Museum 1997 Prominent Artists Exhibition with Jeonju MBC, Samyang Cultural Space, Jeonju '97 Korean Art-Situation of Today, Jeonju National Museum, Jeonju Representation of 21C Korean Painting, Seoul Arts Center Snowscapes Painting Exhibition, Jeonju National Museum, Jeonju 1998 Scent of Central Art, Daejeon Museum of Art Invitation Exhibition, Kyung-In Museum of Fine Art 2000 Sea Art Festival 2000-Image of Sea, Sejong Gallery Wisdom of Classics-The Life of Modern people Exhibition, Gongpyeong Art Center 2001 Contemporary Sumuk Paintings of Korea, China and Japan, National Museum of Modern and Contemporary Art 2003 New Prospect in Drawing, National Museum of Modern and Contemporary Art A Vague Scene-The Celebration Exhibition of Yooartspace Opening, Yooartspace 2005 Korean and Chinese Contemporary Ink Painting Exhibition, Seoul Museum of Art 2007 ART DAEGU(Art Fair), EXCO, Daegu 2008 Good morning Mr.Nam June Paik-The Celebration Exhibition of Korean Cultural Center Opening, London Invitational Exhibition of Literati painting, Moran Museum 1960s echo-The Celebration Exhibition of A1 gallery Opening, A1 gallery Going to_Oriental Paintings of Korea, go to Bayern, KUNST-DIREKT Gallery 2009 The Tone of paintings-The Celebration Exhibition for the 6th anniversary of Yooartspace Opening, Yooartspace 2010 Presence_The Celebration Exhibition of Seongbuk Museum of Art Opening, Seongbuk Museum of Art 2011 Rediscovery of Korean Painting, Seongnam Arts Center Nature, Life, Human-The Celebration Exhibition of Daegu Art Museum Opening, Daegu Art Museum 113 Korean Artists' Masterpiece, Lotte Depart gallery 2012 Korean art Art New Wave, Hangaram Art Museum 2013 Contemporary Arts in the Textbook, Aram Nuri Aram Art Gallery, Goyang Paintings on the ceramics, Lotte Gallery Publications 1977 Sumuk Painting, Dongwon Publishing, Seoul 1978 Oriental Painting, Dongwon Publishing, Seoul 1988 Nature and City, Ewha Publishing, Seoul 1990 Namcheon's Four Gracious Plants, Yekyung Publishing, Seoul 1991 Muk: Expression and Figuration, Yekyung Publishing, Seoul Four Season Of Ink Painting, Ehwa Publishing 1994 At the Heart of the One Who Is Leaving, Yigachack Publishing, Seoul 1995 The Way of Korean Painting, Articles by Namcheon, Michinsa Publishing, Seoul 1996 The Nature Left at My Hometown: Essays, Sigongsa Publishing, Seoul 1997 Namcheon, Master of Sumuk in Our Times, Ahn Graphics, Seoul 1999 Meditation in Sumuk, Ahn Graphics 2001 The Empty Space of Muk, Misulsarang Publishing, Seoul 2002 Namcheon Song Soo-nam, Master of Sumuk in Our Times, 1954-2004 Kwan Hoon Publishing, Seoul 2005 Plum, Orchid, Chrysanthemum and Bamboo, Art Cultural Center 2009 We are all Happy Flowers, iyagikot New World of Four Gracious Plants, Jaewon Publishing 2010 Namcheon Song Soo-nam, Master of Sumuk in Our Time, Jaewon Publishing Namcheon's Flowers, Jaewon Publishing 2011 Black & White, Jaewon Publishing 2012 At the Sumuk garden, the stream of time, Jaewon Publishing 2014 Namcheon Song Soo-nam, Jaewon Publishing Collections The British Museum, UK/Sweden National Oriental Museum, Sweden/Korean Cultural Center at the University of Hawaii, Honolulu/Hawaii East-West Center, Honolulu/Brooklyn Museum Art, New York/Oriental Museum, San Francisco/Hongik University Museum, Seoul/Korea University Museum, Seoul/Hanyang University Museum, Seoul/Seoul National University Museum/National Museum of Modern and Contemporary Art, Korea/Seoul Museum of Art/Busan Museum of Art/Daejeon Museum of Art/Jeonbuk Museum of Art/Posco Art Museum/Ho-am Art Museum/Hanrim Museum of Art/Ki-dang Museum of Art/Total Museum of Art/Young-eun Museum of Art/Artsonje center ¼Û¼ö³² (áäâ³Ñõ, 1938~2013) 1938³â Àü¶óºÏµµ ÀüÁÖ Ãâ»ý 1956~1963³â È«ÀÍ´ëÇб³ ¹Ì¼ú´ëÇРȸȭ°ú Á¹¾÷ °æ·Â 1975~2003.2 È«ÀÍ´ëÇб³ ¹Ì¼ú´ëÇÐ µ¿¾çÈ­°ú ±³¼ö ¿ªÀÓ È«ÀÍ´ëÇб³ ¹Ú¹°°ü °üÀå È«ÀÍ´ëÇб³ Çö´ëÁ¶Çü¿¹¼ú ¿¬±¸¼ÒÀå È«ÀÍ´ëÇб³ ¹Ì¼úµðÀÚÀα³À°¿ø ¿øÀå È«ÀÍ´ëÇб³ ¹Ì¼ú±³À°¿ø ¿øÀå Á¦15ȸ ´ëÇѹα¹¹Ì¼ú´ëÀü Çѱ¹È­ ºÎ¹® ½É»çÀ§¿ø À§¿øÀå Á߾ӹ̼ú´ëÀü ½É»çÀ§¿ø Á¦1, 5ȸ ´ëÇѹα¹ ¹Ì¼ú´ëÀü ½É»çÀ§¿ø ¹× ¿î¿µÀ§¿ø µ¿¾Æ¹Ì¼úÁ¦ ½É»çÀ§¿ø ¹× ¿î¿µÀ§¿ø ¼­¿ï¹Ì¼ú´ëÀü ¿î¿µÀ§¿ø ¼­¿ï½Ã ¿¹¼úÀ§¿ø Çѱ¹¹Ì¼ú°¡Çùȸ ȸ¿ø »óÈÆ 1990³â Á¦16ȸ Áß¾Ó¹®È­´ë»ó, Áß¾ÓÀϺ¸»ç 1996³â Çö´ë¹®ÇÐ 100Áֳ⠱â³ä ¡®°¡Àå ¹®ÇÐÀûÀÎ Çѱ¹È­°¡»ó¡¯, ¹®ÀÎÇùȸ 2004³â ȲÁ¶±ÙÁ¤ÈÆÀå 2007³â ´ëÇѹα¹¹Ì¼úÀλó 2013³â Àº°ü¹®È­ÈÆÀå °³ÀÎÀü 1956 °³ÀÎÀü, ÀüÁÖ 1964 ÃÊ´ë °³ÀÎÀü, ºô¸®ÁöÈ­¶û, ´º¿å 1964 °³ÀÎÀü, ¼­¿ï / ÀüÁÖ 1967 °³ÀÎÀü, ÀüÁÖ 1969 ¼Û¼ö³² Çѱ¹È­Àü, ½Å¹®È¸°üÈ­¶û, ¼­¿ï 1973 ¼Û¼ö³² °³ÀÎÀü, ½Å¼¼°èÈ­¶û, ¼­¿ï 1974 ÃÊ´ë °³ÀÎÀü, ¾çÁöÈ­¶û, ¼­¿ï 1975 ÃÊ´ë °³ÀÎÀü, ½º¿þµ§ ±¹¸³µ¿¾ç¹Ú¹°°ü 1977 ¼Û¼ö³² ÃÊ´ëÀü, ¸ÆÇâÈ­¶û, ´ë±¸ 1978 ¼Û¼ö³² °³ÀÎÀü, µ¿»ê¹æÈ­¶û, ¼­¿ï ÃÊ´ë °³ÀÎÀü, ´º¿åÈ­¶û, ´º¿å 1980 ÇÏ¿ÍÀÌ´ëÇÐ Çѱ¹Çм¾ÅÍ °³°ü±â³äÃÊ´ëÀü, ÇÏ¿ÍÀÌ 1983 ¼Û¼ö³² ÃÊ´ëÀü, Çö´ëÈ­¶û, ¼­¿ï ¼Û¼ö³² ÃÊ´ëÀü, ¸ÆÇâÈ­¶û, ´ë±¸ ¼Û¼ö³² ÃÊ´ëÀü, Á¶¼±ºñÄ¡È­¶û, ºÎ»ê 1984 ¼Û¼ö³² °³ÀÎÀü, ´º¿å Çѱ¹¹®È­°ü 1985 ¼Û¼ö³² ÆÇÈ­Àü, Á¶¼±È­¶û, ¼­¿ï 1986 µ¿¾çÈ­ ÃÊ´ëÀü, °­³²Çö´ëÈ­¶û ¼Û¼ö³² ÃÊ´ëÀü, ºÎ»ê ÁøÈ­¶û 1988 ÀÚ¿¬°ú µµ½ÃÀü, µ¿»ê¹æÈ­¶û, ¼­¿ï 1989 ³²Ãµ ÆÇÈ­Àü, ûÀ۹̼ú°ü, ¼­¿ï 1991 ¼ö¹¬ÀÇ »ç°èÀýÀü, °¶·¯¸®¼­È£, ¼­¿ï 1995 ³²Ãµ ¼Û¼ö³²Àü, °øÆò¾ÆÆ®¼¾ÅÍ, ¼­¿ï 1997 ÀÚ¿¬°ú ¸í»óÀü, ¿¹³ª¸£, ¼­¿ï ³²Ãµ ¼Û¼ö³²Àü, ÅäÅ»¹Ì¼ú°ü, ¼­¿ï 2002 ³²Ãµ ¼Û¼ö³²Àü, ³ëÈ­¶û, ¼­¿ï 2004 ¿ì¸®½Ã´ëÀÇ ¼ö¹¬ÀÎ ³²Ãµ ¼Û¼ö³², °¡³ª¾ÆÆ®¼¾ÅÍ, ¼­¿ï 2005 °³ÀÎÀü - ²ÉÀº ¸¶À½¿¡ ÀÖ´Ù. ³ëÈ­¶û, ¼­¿ï 2008 °³ÀÎÀü, ¹é¼ÛÈ­¶û, ¼­¿ï °³ÀÎÀü, °¶·¯¸®°¡À̾Æ, ¼­¿ï 2009 °³ÀÎÀü, ¿õ°¶·¯¸®, ¼­¿ï ¼Û¼ö³² ÃÊ´ëÀü, °¶·¯¸® H,¼­¿ï 2010 ³²Ãµ ¼Û¼ö³²Àü, Çѱ¹¼Ò¸®¹®È­Àü´ç, ÀüÁÖ 2011 °³ÀÎÀü, W°¶·¯¸®, ÀÍ»ê 2012 °³ÀÎÀü, °¶·¯¸® °¡ÀÌ¾Æ 2013 ¡®1980³â´ë ¿¹¼ú¿îµ¿ ÇöÀåÀÇ ÀÛ°¡µé-³²Ãµ ¼Û¼ö³²¡¯Àü, ÀüºÏµµ¸³¹Ì¼ú°ü ÃÊ´ëÀü-¸¶À½¿¡ ²ÉÇÇ´Ù, ÇÔÆò±º¸³¹Ì¼ú°ü, ÇÔÆò 2014 ±âÁõÀÛ°¡ Ưº°Àü ¼ö¹¬ÀÎ, ³²Ãµ ¼Û¼ö³², , ±¹¸³Çö´ë¹Ì¼ú°ü ´ÜüÀü 1964 Çö´ëÀÛ°¡ ÃÊ´ëÀü, Á¶¼±ÀϺ¸»ç 1967 Á¦9ȸ µ¿°æ±¹Á¦ºñ¿£³¯·¹, µ¿°æ 1970 Çѱ¹¹Ì¼ú´ë»óÀü, ±¹¸³Çö´ë¹Ì¼ú°ü Á¦2ȸ ÀεµÆ®¸®¿£³¯·¹, ´ºµ¨¸® 1971 ȸȭ ¿À´ÃÀÇ Çѱ¹È­, ¸íµ¿È­¶û 1972 Çѱ¹Çö´ëÀÛ°¡ 7ÀÎÀü, ¾Æ½Ã¾ÆÀç´ÜÈ­¶û, »÷ÇÁ¶õ½Ã½ºÄÚ 1973 Çѱ¹µ¿¾çÈ­ 10ÀÎÀü, µ¿°æ Á¦12ȸ »óÆÄ¿ï·Î±¹Á¦ºñ¿£³¯·¹, »óÆÄ¿ï·Î 1974 Çѱ¹Çö´ëµ¿¾çÈ­Àü, áæ÷øãøûþÕÆ, µ¿°æ Çö´ëÈ­¶û ±âȹÀü, Çö´ëÈ­¶û, ¼­¿ï µ¿¾çÈ­6ÀÎ ÃÊ´ëÀü, ¹Ì±¹ Çö´ëÇѱ¹µ¿¾çÈ­Àü, ÔÔûÇûþÕÆ, ³ª°í¾ß 1975 µ¿¾çÈ­7ÀÎ ÃÊ´ëÀü, ½Å¼¼°èÈ­¶û 1976 Áß°ßÀÛ°¡ 21ÀÎ ÃÊ´ëÀü, µ¿»ê¹æÈ­¶û Çѱ¹Çö´ëµ¿¾çÈ­´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü 1977 Á¦13ȸ ¾Æ½Ã¾ÆÇö´ë¹Ì¼úÀü, µ¿°æ Çö´ë¹Ì¼ú´ë»óÃÊ´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü Çö´ëÇѱ¹È¸È­Àü, ¿À½ºÆ®·¹Àϸ®¾Æ 1978 µ¿¾çÈ­12ÀÎÀü, ½Å¹®È¸°ü Çѱ¹¹Ì¼ú20³â µ¿ÇâÀü, ±¹¸³Çö´ë¹Ì¼ú°ü 1979 µ¿¾çÈ­°¡ÀÇ ´«À¸·Î º» Çѱ¹ÀÇ ÀÚ¿¬Àü, ±¹¸³Çö´ë¹Ì¼ú°ü Çѱ¹¹Ì¼ú-¿À´ÃÀÇ ¹æ¹ýÀü, ¹Ì¼úȸ°ü 1981 Çѱ¹Çö´ëÀÛ°¡ µå·ÎÀ×Àü, ºÎ·çŬ¸°´ëÇб³¹Ì¼ú°ü, ´º¿å µå·ÎÀ× 81Àü, ±¹¸³Çö´ë¹Ì¼ú°ü Á¦7ȸ ¼­¿ïÇö´ë¹Ì¼úÁ¦, ¹Ì¼úȸ°ü Á¦6ȸ ¿¡²Ã µå ¼­¿ïÀü, °üÈƹ̼ú°ü ¼ö¹¬È­ 4ÀÎÀü, µ¿»ê¹æÈ­¶û ¹é»ó¹Ì¼ú´ëÀü, ¹é»ó±â³ä°ü ¿À´ÃÀÇ ÀüÅëȸȭ 81Àü, °üÈƹ̼ú°ü Çѱ¹¼ö¹¬È­Àü, ±¹¸³Çö´ë¹Ì¼ú°ü 1982 Ùø, ±×¸®°í ïÇ°ú àÊÀü, °üÈƹ̼ú°ü Çѱ¹Çö´ë¹Ì¼úÀü, ¹Ð¶ó³ë, ÀÌÅ»¸®¾Æ ±¹Á¦Çö´ë¼ö¹¬È­¿¬¸Í, ´ë¸¸¿ª»ç¹Ú¹°°ü, ´ë¸¸ ÇÑ¡¤Áß Çö´ë¼­È­Àü, ±¹¸³Çö´ë¹Ì¼ú°ü ¿À´ÃÀÇ ¼ö¹¬È­Àü, ¼Û¿øÈ­¶û Çö´ëÀÛ°¡ ÆÇÈ­¡¤µå·ÎÀ×Àü, °í·ÁÈ­¶û ÀüÅëȸȭÀü, °üÈƹ̼ú°ü 1983 83¡¯ Çö´ë¹Ì¼úÃÊ´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü ¹Ì±¹¼øȸÀü, ´º¿å ºÎ¸£Å¬¸°´ëÇб³¹Ì¼ú°ü Çѱ¹È­ ¿À´ÃÀÇ »óȲÀü, ¹Ì¼úȸ°ü Çö´ëÇѱ¹È­ ¼øȸÀü(¹Ì±¹, ¿µ±¹, µ¶ÀÏ, ÇÁ¶û½º) »õ·Î¿î Á¾ÀÌÀÇ Á¶ÇüÀü, ÃáÁö¿¹¶û, ´ë¸¸ 1984 84¡¯ Çö´ë¹Ì¼úÃÊ´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü 60³â´ëÀÇ Çѱ¹Çö´ë¹Ì¼úÀü, ¿öÄ¿Èú¹Ì¼ú°ü ¿À´ÃÀÇ ÀÛ°¡ 23ÀÎÀü, µ¿¹æ¹Ì¼ú°ü Çѱ¹Çö´ë¹Ì¼úÀü, ŸÀ̺£À̽ø³Çö´ë¹Ì¼ú°ü, ´ë¸¸ ±¹Á¦Çö´ë¼ö¹¬Àü, ¹Ì¼úȸ°ü Çѱ¹È­ ´Ü¸éÀü, ¹Ì¼úȸ°ü Çö´ë Çѱ¹ÀÎÀÇ Á¾ÀÌÀü, »ç¶ó½ºÆÛÁö¿Â È­¶û(¿ö½ÌÅÏ ´ëÇÐ) Çѱ¹Çö´ë¹Ì¼ú 70³â´ë µ¿ÇâÀü, ¿öÄ¿Èú¹Ì¼ú°ü 1985 85¡¯ Çö´ë¹Ì¼úÃÊ´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü Çѱ¹È­ µ¿ÇâÀü, ¹Ì¼úȸ°ü Çѱ¹È­ ¿À´ÃÀÇ ÇöȲ, ûžȭ¶û Çѱ¹È­, ¿À´Ã°ú ³»ÀÏÀÇ Àü¸Á, ¿öÄ¿Èú¹Ì¼ú°ü Çö´ë Çѱ¹È­ ½Ã°¢Àü, °üÈƹ̼ú°ü Çö´ë ¼ö¹¬ÀÇ Çâ¹æÀü, ºÎ»ê »çÀÎÈ­¶û 1986 Çѱ¹È­ ±× ´Ùº¯¼ºÀü, ¹Ì¼úȸ°ü Çѱ¹È­ Çö´ë¹Ì¼úÀÇ ¾îÁ¦¿Í ¿À´Ã, ±¹¸³Çö´ë¹Ì¼ú°ü ¾Æ½Ã¾Æ Çö´ë 乬Àü, ¹Ì¼úȸ°ü ÇϳªÀÇ ¾ÐÃà, Çѱ¹È­ Çö»óÀü, ¾Æ¸£²¿½º¸ð¹Ì¼ú°ü Çѱ¹È­ 100³âÀü, È£¾Ï°¶·¯¸® 86¡® ¼­¿ï¹Ì¼ú´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü 1987 Çѱ¹ Çö´ë¹Ì¼ú¿¡ À־ÀÇ È桤¹éÀü, ±¹¸³Çö´ë¹Ì¼ú°ü ¡®87 Çö´ë¹Ì¼úÃÊ´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü Çѱ¹È­ ½ÅÇ¥ÇöÀü, ¹Ì¼úȸ°ü 1988 Çö´ë Çѱ¹È¸È­Àü, È£¾Ï°¶·¯¸® Á¦24ȸ ¼­¿ï¿Ã¸²ÇȾÆÆ® ±¹Á¦Çö´ë¹Ì¼úÀü, ¼­¿ï Çѱ¹È­ ÀǽÄÀÇ ÀüȯÀü, °üÈƹ̼ú°ü Çѱ¹ Çö´ëȸȭÀü, ´ë¸¸ ±¹Á¦ Çö´ëȸȭÀü, ±¹¸³Çö´ë¹Ì¼ú°ü Çö´ëÀÛ°¡ÃÊ´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü Çö´ë Çѱ¹È¸È­Àü, È£¾Ï°¶·¯¸® ¿À´ÃÀÇ À̹ÌÁöÀü, ½Ã°øÈ­¶û Á¶¼±ÀϺ¸¹Ì¼ú°ü °³°ü±â³äÀü, ¼­¿ï 88¡® Çö´ë¹Ì¼úÃÊ´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü 1989 89¡® Çö´ëÇѱ¹È¸È­Àü, È£¾Ï°¶·¯¸® ÃÊ´ëÀÛ°¡ 89ÀÎÀü, °üÈƹ̼ú°ü ¼­¿ï¹Ì¼ú´ëÀü, ¼­¿ï½Ã¸³¹Ì¼ú°ü Àΰ£°ú ÀÚ¿¬À» º¸´Â ½Ã°¢Àü, ±ÝÈ£¹Ì¼ú°ü Ä«µåÀÛÇ° ÃÊ´ëÀü ¿À´ÃÀÇ Çѱ¹È¸È­ 7ÀÎÀü, ÀϺ» Çѱ¹Çö´ë¹Ì¼úÀü, ±¹¸³Çö´ë¹Ì¼ú°ü 1990 °Ü¿ïÀü, 63°¶·¯¸® Àΰ£°ú ÀÚ¿¬Àü, ±¹¸³Çö´ë¹Ì¼ú°ü µ¿¹æÀÇ ºû¥±Àü, Å°¿¡ÇÁ½Ã¸³¹Ì¼ú°ü, ·¯½Ã¾Æ ¿À´ÃÀÇ ¼­¿ïÀü, ¹Ì¼úȸ°ü ¹éµÎ»ê °¡´Â ±æÀü, ·Ôµ¥¹Ì¼ú°ü Çѱ¹¹Ì¼ú-¿À´ÃÀÇ »óȲÀü, ¿¹¼úÀÇ Àü´ç Çö´ëÇѱ¹È¸È­Àü, È£¾Ï°¶·¯¸® 1991 6ÀÎÀü, ´ë¸²È­¶û Çѱ¹Çö´ë¹Ì¼úÀü, ±¹¸³Çö´ë¹Ì¼ú°ü Çѱ¹È­ ¹°¼º°ú ½Ã´ëÁ¤½ÅÀü, ¹®¿¹ÁøÈï¿ø Çѱ¹Çö´ë¹Ì¼úÀÇ Çѱ¹¼º ¸ð»öÀü, ÇÑ¿ø°¶·¯¸® Çѱ¹Çö´ë¹Ì¼ú À¯°í ¼øȸÀü, À¯°í½½¶óºñ¾Æ Çö´ëÇѱ¹È¸È­Àü, È£¾Ï°¶·¯¸® 1992 Çѱ¹ÀÇ ¸Æ?Çѱ¹¼º ¸ð»öÀü, ¼­³²¹Ì¼ú°ü ¼±¹¦¿Í Ç¥Çö-Çö´ëÇѱ¹È¸È­Àü, È£¾Ï°¶·¯¸® Çѱ¹Çö´ë¹Ì¼úÀÇ Çѱ¹¼º ¸ð»ö ¥³ºÎÀü, ÇÑ¿ø°¶·¯¸® 1993 ÀÚ¿¬ ±×¸®°í Çѱ¹È­ Á¤½ÅÀü, ¹Ì¼úȸ°ü Çѱ¹¹Ì¼ú ¾îÁ¦¿Í ¿À´ÃÀü, ÇѸ²°¶·¯¸® ÀοջêÁ¦»öµµ1993Àü, ¼­³²¹Ì¼ú°ü ÆÇÈ­Àü, ¿µµ¿¾ÆƮȦ 1994 Çѱ¹Áö¼ºÀÇ Ç¥»óÀü, ÇÑ°¡¶÷¹Ì¼ú°ü ¼­¿ï±¹Á¦Çö´ë¹Ì¼úÁ¦, ±¹¸³Çö´ë¹Ì¼ú°ü ¼ö¹¬ÀÇ Àç¹ß°ßÀü, °øÆò¾ÆÆ®¼¾ÅÍ ¿ì¸®ÀǽÄÀÇ °øµ¿Á¦Àü, ¹Ì¼úȸ°ü Çö´ë¹Ì¼ú 40³â, È£¾Ï°¶·¯¸® 1995 Çѱ¹Çö´ë¹Ì¼ú 50³âÀü, ÇѸ²°¶·¯¸®, ´ëÀü Çѱ¹Çö´ë¹Ì¼úÀü(¼­¿ï, ´ëÀü, ºÏ°æ) ¼­¿ï¹Ì¼ú´ëÀü, ¼­¿ï½Ã¸³¹Ì¼ú°ü Çѱ¹¹Ì¼ú 50ÀÎ À¯³×½ºÄÚÃÊ´ëÀü, Æĸ® À¯³×½ºÄÚ º»ºÎ Á¶±¹ÀÇ »êÇÏÀü, ¹®¿¹ÁøÈï¹Ì¼úȸ°ü 1996 ¿À´ÃÀÇ Çѱ¹È­-±× ¸Æ¶ô°ú Àü°³Àü, ´ö¿ø°¶·¯¸® Çѱ¹È­, Áõ½ÄÀÇ ¹æ¹ýÀü, ¼­³²°¶·¯¸® Çѱ¹À̹ÌÁöÀü, ¿ÀŬ·£µå ¾Æ¿ÀÅ׾Ƽ¾ÅÍ Çѱ¹ ´ëÇ¥ãÌìÑ ÁÖÁ¦ ¹Ì¼úÀü-Ǫ¸£¸¥ ³¯, ÇаíÁ¦ ÀüÁÖ MBC ÁßÁøÀÛ°¡Àü, ÀüÁÖ »ï¾ç¹®È­°ø°£ Çѱ¹¸ð´õ´ÏÁòÀÇ Àü°³:1970-1990 ±Ù´ëÀÇ ÃʱØÀü, ±ÝÈ£¹Ì¼ú°ü Çö´ë Çѱ¹È­ Á¶ÇüÀÇ Ç¥»óÀü, µ¿»ê¹æÈ­¶û Áß¾Óºñ¿£³¯·¹, ¼­¿ï½Ã¸³¹Ì¼ú°ü ¿¡²Ãµå ¼­¿ï, °üÈƹ̼ú°ü Çѱ¹ Çö´ë¹Ì¼ú, ÇöÀç¿Í ¹Ì·¡Àü, È«ÀÍ´ëÇб³ Çö´ë¹Ì¼ú°ü º£¼¼Åä ±¹Á¦¼­È­Àü, ¼­¿ï½Ã¸³¹Ì¼ú°ü Çѱ¹ Çö´ë¹Ì¼ú Á¶ÇüÀÇ ¸ðµ¨Àü, Áö¿¬È­¶û SAIFÀü, KOEX ÅÂÆò¾ç°ü Çѱ¹ ¸ð´õ´ÏÁòÀÇ Àü°³, ±ÝÈ£¹Ì¼ú°ü 1997 ÀüÁÖ MBC ÁßÁøÀÛ°¡Àü, »ï¾ç¹®È­°ø°£, ÀüÁÖ ¡¯97 Çѱ¹¹Ì¼ú ¿À´ÃÀÇ »óȲÀü, ±¹¸³ÀüÁÖ¹Ú¹°°ü, ÀüÁÖ 21¼¼±âÇѱ¹¹Ì¼úÀÇ Ç¥»óÀü-¿ø·Î, ÁßÁøÀü, ¿¹¼úÀÇ Àü´ç ´« ±×¸²Àü, ±¹¸³ÀüÁÖ¹Ú¹°°ü, ÀüÁÖ 1998 Áß¿ø¹Ì¼úÀÇ Çâ±â, ´ëÀü½Ã¸³¹Ì¼ú°ü Âü¿©¿¬´ë »ç¶ûÃÊ´ëÀü, °æÀι̼ú°ü 2000 Çؾç¹Ì¼úÁ¦ 2000-¹Ù´ÙÀ̹ÌÁöî÷, ¼¼Á¾°¶·¯¸® °íÀüÀÇ ÁöÇý-Çö´ëÀÎÀÇ »îî÷, °øÆò¾ÆÆ®¼¾ÅÍ 2001 ¼ö¹¬ÀÇ Çâ±â, ¼ö¹¬ÀÇ Á¶Çü, ùÛ¡¤ñ顤ìí Çö´ë¼ö¹¬È­î÷ ±¹¸³Çö´ë¹Ì¼ú°ü 2003 µå·ÎÀ×ÀÇ »õ·Î¿î ÁöÆò, ±¹¸³Çö´ë¹Ì¼ú°ü 2003 ¸ðÈ£ÇÑ ÍöѨ(A Vague Scene) À¯¾ÆÆ®½ºÆäÀ̽º °³°ü±â³äî÷ À¯¾ÆÆ®½ºÆäÀ̽º 2005 ÇÑ¡¤ÁßÇö´ë¼ö¹¬Àü(¼­¿ï½Ã¸³¹Ì¼ú°ü ±âȹÀü) ¼­¿ï½Ã¸³¹Ì¼ú°ü 2007 ¾ÆÆ® ´ë±¸(2007 ¾ÆÆ®Æä¾î), ´ë±¸ EXCO 2008 ±Â ¸ð´× Mr.¹é³²ÁØ_ 2008³â ·±´øÇѱ¹¹®È­¿ø °³°ü ±â³äî÷, ¿µ±¹Çѱ¹¹®È­¼¾ÅÍ °¡½¿¼Ó¿¡ ´ë¸¦ Ç°°í ¼¼»óÀ» º¸³×_¿ù°£ ¹Ì¼ú¼¼°è ±âȹ-¹®ÀÎÈ­ ÃÊ´ëî÷, ¸ð¶õ°¶·¯¸® 1960³â´ë echo, ¿¡ÀÌ¿ø °¶·¯¸® °³°ü±â³äî÷_ ¿¡ÀÌ¿ø °¶·¯¸® Going to_Oriental Paintings of Korea, go to Bayernî÷, KUNST-DIREKT GALLERY Çѱ¹¹®È­¿¹¼úÀ§¿øȸ ÈÄ¿ø 2009 È­À½_ûþëå, À¯¾ÆÆ®½ºÆäÀ̽º °³°ü 6Áֳ⠱â³äî÷, À¯¾ÆÆ®½ºÆäÀ̽º 2010 Presence_¼ººÏ±¸¸³¹Ì¼ú°ü °³°ü±â³äî÷, ¼ººÏ±¸¸³¹Ì¼ú°ü 2011 Çѱ¹È­ÀÇ Àç¹ß°ßî÷ ¼º³²¾ÆÆ®¼¾ÅÍ »î°ú dzÅä-´ë±¸¹Ì¼ú°ü°³°üƯº°î÷, ´ë±¸¹Ì¼ú°ü ´ÙÁ¤ÇÑ ÆíÁö-°í¹Ù¿ì ±è¼ºÈ¯ ¼ÒÀåÇ°, Çö´ëÈ­°¡ 113¸íÀÌ ±×¸° ÀÛÀº ºÀÅõ À§¿¡ ´ëÀÛî÷ ·Ôµ¥¹éÈ­Á¡ °¶·¯¸® 2012 Çѱ¹¹Ì¼ú ¾ÆÆ® ´º ¿þÀ̺êî÷, ¿¹¼úÀÇÀü´ç ÇÑ°¡¶÷¹Ì¼ú°ü 2013 ±³°ú¼­ ¼Ó Çö´ë¹Ì¼ú, °í¾ç¾Æ¶÷´©¸® ¾Æ¶÷¹Ì¼ú°ü µµÀÚ¿¡ ÇǾ ±×¸², ·Ôµ¥ ¹éÈ­Á¡ û·®¸®Á¡ Àú¼­ ¼ö¹¬È­, µ¿¿ø»ç, 1977³â/µ¿¾çÈ­, µ¿¿ø»ç, 1978³â/ÀÚ¿¬°ú µµ½Ã, ÀÌÈ­ÃâÆÇ»ç, 1988³â/³²Ãµ »ç±ºÀÚ(»ó?ÇÏ), ¿¹°æ»ê¾÷»ç, 1990³â/¹¬(Ùø)?Ç¥Çö°ú »óÇü, ¿¹°æ»ê¾÷»ç, 1991³â/¼ö¹¬ÀÇ »ç°èÀý, ÀÌÈ­ÃâÆÇ»ç, 1991³â/¶°³ª´Â ÀÌÀÇ °¡½¿¿¡ ÇѼÛÀÌ ²ÉÀ» ²È¾ÆÁÖ°í(¼Û¼ö³² È­Á¦Áý), ÀÌ°¡Ã¥, 1994³â/Çѱ¹È­ÀÇ ±æ, ¹ÌÁø»ç, 1995³â/°íÇâ¿¡ µÎ°í ¿Â ÀÚ¿¬, ½Ã°ø»ç, 1996³â/¿ì¸®½Ã´ëÀÇ ¼ö¹¬ÀÎ ³²Ãµ, ¾È±×¶óÇȽº, 1997³â/¼ö¹¬¸í»ó, ¾È±×¶óÇȽº, 1999³â/¿©¹éÀÇ ¹¬Çâ(ãÌ¡¤ßö¡¤ûþó¢), ¹Ì¼ú»ç¶û, 2001³â/ÀÌ ½Ã´ëÀÇ ¼ö¹¬ÀÎ, ³²Ãµ, °üÈƱâȹ, 2002³â/¸Å¶õ±¹Á×, ¹Ì¼ú¹®È­¿ø, 2005³â/¿ì¸®´Â ¸ðµÎ ÇູÇÑ ²ÉÀÌ´Ù. À̾߱â²É, 2009³â/»õ·Î¿î »ç±ºÀÚÀÇ ¼¼°è, µµ¼­ÃâÆÇ Àç¿ø, 2009³â/³²ÃµÀÇ ²É, µµ¼­ÃâÆÇ Àç¿ø, 2010³â/¿ì¸®½Ã´ëÀÇ ¼ö¹¬ÀÎ ³²Ãµ ¼Û¼ö³², µµ¼­ÃâÆÇ Àç¿ø, 2010³â/Black & White: µðÀÚÀÎ ¸ÔÀ¸·Î ¸»ÇÏ´Ù, µµ¼­ÃâÆÇ Àç¿ø, 2011³â/¼¼¿ùÀÇ °­ ¼ö¹¬ÀÇ ¶ß¶ô¿¡¼­, µµ¼­ÃâÆÇ Àç¿ø, 2012³â/³²Ãµ ¼Û¼ö³², µµ¼­ÃâÆÇ Àç¿ø, 2014 ÁÖ¿ä ¼ÒÀå±â°ü ¿µ±¹ ´ë¿µ¹Ú¹°°ü/½º¿þµ§ ±¹¸³µ¿¾ç¹Ú¹°°ü/ÇÏ¿ÍÀÌ µ¿¼­¹®È­¼¾ÅÍ/ÇÏ¿ÍÀÌ´ëÇÐ Çѱ¹¹®È­¼¾ÅÍ/´º¿å ºê·çŬ¸°¹Ú¹°°ü/»÷ÇÁ¶õ½Ã½ºÄÚ µ¿¾ç¹Ú¹°°ü/È«ÀÍ´ëÇб³¹Ú¹°°ü/°í·Á´ëÇб³¹Ú¹°°ü/ÇѾç´ëÇб³ ¹Ú¹°°ü/¼­¿ï´ëÇб³¹Ú¹°°ü/±¹¸³Çö´ë¹Ì¼ú°ü/¼­¿ï½Ã¸³¹Ì¼ú°ü/ºÎ»ê½Ã¸³¹Ì¼ú°ü/´ëÀü½Ã¸³¹Ì¼ú°ü/ÀüºÏµµ¸³¹Ì¼ú°ü/Æ÷½ºÄڹ̼ú°ü/È£¾Ï¹Ì¼ú°ü/ÇѸ²¹Ì¼ú°ü/±â´ç¹Ì¼ú°ü/ÅäÅ»¹Ì¼ú°ü/¿µÀº¹Ì¼ú°ü/¼±Àç¹Ì¼ú°ü
¸ñÂ÷
¡¼ÀÛÇ° ¸ñ·Ï¡½ Strokes of the Brush º×ÀÇ ³î¸² Scenery dz°æ Snowscape ¼³°æ Small dock °­³ª·çÅÍ Dark sea °ËÀº ¹Ù´Ù Riverscape °­º¯Ç³°æ Mountains and clouds »ê°ú ±¸¸§ Cityscape µµ½Ãdz°æ Trees in Summer ¿©¸§³ª¹« Trees in Winter °Ü¿ï³ª¹« Trees ³ª¹« The reeds °¥´ë½£ The woods ½£ In a windy day ¹Ù¶÷ºÎ´Â ³¯¿¡ Untitled ¹«Á¦ Folk painting ¹ÎÈ­ The nature and meditation ÀÚ¿¬°ú ¸í»ó Meditation ¸í»ó Plum blossoms ¸ÅÈ­ Orchid ³­ÃÊ Chrysanthemum ±¹È­ Bamboo ´ë³ª¹« Flowers ²É Spirituality of Sumuk _ Soo-nam Song ¤ý 004 ¼ö¹¬ÀÇ Á¤½Å¼º_ ¼Û¼ö³² Soo-nam Song¡¯s cityscapes _ Kwang-soo Oh ¤ý 024 ³²ÃµÀÇ µµ½Ãdz°æ _ ¿À±¤¼ö Sumuk as the design _ Deok-hum Park ¤ý 050 µðÀÚÀÎÀ¸·Î¼­ÀÇ ¼ö¹¬ _ ¹Ú´öÈì The Glow and Scent of Song¡¯s Flowers _ Deok-hum Park ¤ý 096 ³²ÃµÀÇ ²É, ±× ºû°ú Çâ _ ¹Ú´öÈì Biography Soo-nam Song¡¯s Life ¤ý 107 ¼Û¼ö³² ÀÛ°¡¿¬º¸
º»¹®Áß¿¡¼­
Above all, the greatest feature of Song Soo-nam¡¯s sumuk paintings is that it combines the art world of the past, the current, and the near future. Song stylistically possesses an open position regarding all areas from concepts to abstractions. However, the physical form of concepts and abstractions is unimportant because nature is what bears art, according to Song. Drawing nature as the eye sees it is conceptual, and drawing as you feel is abstract. Thus, the physical expressions of concept and abstraction aresimilar to the inner and outer elements of an object for Song. ? Kyeong-seong Lee (Critic) ¹«¾ùº¸´Ùµµ ³²ÃµÀÇ ¼ö¹¬È­ÀÇ °¡Àå Å« Ư¡Àº ¿¾°Í°ú Áö±ÝÀÇ °Í, ±×¸®°í ¾ÕÀ¸·Î ´Ù°¡ ¿Ã ¿¹¼úÀÇ ¼¼°è¸¦ Çϳª·Î Á¾ÇÕÇÏ°í Àִµ¥ ÀÖ´Ù. ¾ç½ÄÀûÀ¸·Îµµ ±¸»ó¿¡¼­ Ãß»ó¿¡ À̸£±â±îÁö ¸ðµç ºÐ¾ß¿¡ °³¹æÀû ÀÚ¼¼¸¦ Áö´Ï°í Àִµ¥, ±×¿¡°Ô À־ ±¸»ó°ú Ãß»óÀ̶ó´Â ¿ÜÇüÀûÀÎ ¾ç½ÄÀº ±×¸® ¹®Á¦°¡ µÇÁö ¾Ê±â ¶§¹®ÀÌ´Ù. ¿Ö³ÄÇϸé È­°¡ ³²Ãµ¿¡ À־ ÀÛÇ°ÀÇ ¸ðü°¡ µÇ´Â °ÍÀº ¾îµð±îÁö³ª ÀÚ¿¬À̱⠶§¹®¿¡ ±× ÀÚ¿¬À» ´«¿¡ º¸ÀÌ´Â ´ë·Î ±×¸± ¶§´Â ±¸»óÀÌ µÇÁö¸¸ ¸¶À½¿¡ ´À³¤ ´ë·Î ±×¸± ¶§´Â Ãß»óÀÌ µÇ´Â °ÍÀÌ´Ù. ±×·¯±â¿¡ È­°¡ ³²Ãµ¿¡ À־ ±¸»ó°ú Ãß»óÀ̶ó´Â ¿ÜÇüÀûÀΠǥÇöÀº °á±¹ ¹°Ã¼ÀÇ ¾È°ú ¹ÛÀ̶ó´Â °ü°è¿¡ ÀÖ´Â °ÍÀÌ´Ù. - À̰漺 <¹Ì¼úÆò·Ð°¡> My work is the essence of my materials, or the pure formative language achieved by water, meok, and paper. It is a way to seek man¡¯s perpetuality which transcends ideas and realities, and expressing the natural spirit inherent in sumuk. Further, pursuit of the essence of sumuk, moderation and conciseness, integration and adaptability, over greed, predation, and selfishness in today¡¯s advanced industrial society where man and nature are becoming more disconnected and desolate is my self-reflective work activity. ? Soo-nam Song ³ªÀÇ ÀÛ¾÷Àº Àç·á°¡ °¡Áö°í ÀÖ´Â ¹°ÁúÀÇ º»Áú, Áï ¹°°ú ¸Ô ±×¸®°í Á¾ÀÌ°¡ ÀÌ·ç¾î³»´Â ÇϳªÀÇ ¼ø¼öÇÑ Á¶Çü¾ð¾îÀÌ´Ù. Çö½Ç°ú °ü³äÀ» ÃÊ¿ùÇÑ Àΰ£ÀÇ ¿µ¿ø¼ºÀ» Ãß±¸ÇÏ´Â ¹æ¹ýÀ̸ç, ±× ¼ö¹¬ ¼Ó¿¡ ³»ÀçµÇ¾î ÀÖ´Â ÀÚ¿¬Àû Á¤½ÅÀ» Ç¥ÇöÇÏ´Â °ÍÀÌ´Ù. ´õ¿í, ¿À´Ã°ú °°ÀÌ ÀÚ¿¬°ú Àΰ£ÀÌ ºÐ¸®µÇ°í ȲÆóÇØ °¡´Â °íµµÀÇ »ê¾÷»çȸ ±¸Á¶ ¼Ó¿¡¼­ Ž¿å°ú Æ÷½Ä, À̱â½É º¸´Ù´Â ¼ö¹¬ÀÇ Á¤½ÅÀÎ ÀýÁ¦¿Í °£°á, À¶ÇÕ ±×¸®°í ¼øÀÀ¼ºÀ» Ãß±¸ÇÏ´Â °ÍÀÌ ¹Ù·Î ³ªÀÇ ÀھƹݼºÀûÀÎ ÀÛ¾÷ÇàÀ§ÀÌ´Ù. - ¼Û¼ö³² Sumuk is a material and at the same time an emotion. It is a form, but at the same time has substance. The substance is not simply designating a category of subject matter, but a kind of mind system. In truth, the difference between sumuk paintings and other types of paintings can be found here. A new self-awareness and recognition of sumuk painting were unfolded during the series of sumuk painting exhibitions from the late 1970¡¯s and early 1980¡¯s. This series of exhibitions were not a collective presentation of sumuk paintings as a simple genre of art, but had the purpose of a cultural movement in which to pursue our intrinsic affective system through the form of sumuk. The artist at the center of this movement was Song Soo-nam ? Kwang-soo Oh (Art Critic) ¼ö¹¬Àº Àç·áÀ̸鼭 µ¿½Ã¿¡ Á¤¼­ÀÌ´Ù. Çü½ÄÀ̸鼭 µ¿½Ã¿¡ ³»¿ëÀÌ´Ù. ±× ³»¿ëÀº ´Ü¼øÇÑ ¼ÒÀçÀû ¹üÁÖ¸¦ ÁöĪÇÏ´Â °ÍÀÌ ¾Æ´Ï¶ó ÀÏÁ¾ÀÇ Á¤½Åü°èÀÌ´Ù. ½Ç·Î, ¼ö¹¬È­°¡ ´Ù¸¥ Á¾·ùÀÇ ±×¸²°ú ´Ù¸¥ Ư¡ÀÌ ¿©±â¿¡ ÀÖ´Ù. ¼ö¹¬È­¿¡ ´ëÇÑ »õ·Î¿î ÀÚ°¢°ú ÀνÄÀº 70³â´ë ÈĹݿ¡¼­ 80³â´ë ÃÊ¿¡ °ÉÄ£ ÀÏ·ÃÀÇ ¼ö¹¬È­ÀüÀ» ÅëÇØ È°±â ÀÖ°Ô Àü°³µÈ ¹Ù ÀÖ´Ù. À̶§ Àü°³µÈ ÀÏ·ÃÀÇ ¼ö¹¬È­ÀüÀº ´Ü¼øÇÑ À帣·Î¼­ÀÇ ¼ö¹¬È­ÀÇ Áý´ÜÀû ¹ßÇ¥¶ó±âº¸´Ù ¿ì¸® °íÀ¯ÇÑ Á¤¼­Ã¼°è¸¦ ¼ö¹¬È­¶õ Çü½ÄÀ» ÅëÇØ Ãß±¸Çغ¸ÀÚ´Â ÀÏÁ¾ÀÇ ¹®È­¿îµ¿ÀÇ ¼º°ÝÀ» ¶í °ÍÀ̾ú´Ù. ÀÌ ¿îµ¿ÀÇ Á߽ɿ¡ ÀÖ¾ú´ø ÀÛ°¡°¡ ³²Ãµ(Ñõô¸) ¼Û¼ö³²À̾ú´Ù. - ¿À±¤¼ö <¹Ì¼úÆò·Ð°¡>

ÀúÀÚ
¼Û¼ö³²
1938³â Àü¶óºÏµµ ÀüÁÖ Ãâ»ý
1956~1963³â È«ÀÍ´ëÇб³ ¹Ì¼ú´ëÇРȸȭ°ú Á¹¾÷

°æ·Â
1975~2003.2 È«ÀÍ´ëÇб³ ¹Ì¼ú´ëÇÐ µ¿¾çÈ­°ú ±³¼ö ¿ªÀÓ
È«ÀÍ´ëÇб³ ¹Ú¹°°ü °üÀå
È«ÀÍ´ëÇб³ Çö´ëÁ¶Çü¿¹¼ú ¿¬±¸¼ÒÀå
È«ÀÍ´ëÇб³ ¹Ì¼úµðÀÚÀα³À°¿ø ¿øÀå
È«ÀÍ´ëÇб³ ¹Ì¼ú±³À°¿ø ¿øÀå
Á¦15ȸ ´ëÇѹα¹¹Ì¼ú´ëÀü Çѱ¹È­ ºÎ¹® ½É»çÀ§¿ø À§¿øÀå
Á߾ӹ̼ú´ëÀü ½É»çÀ§¿ø
Á¦1, 5ȸ ´ëÇѹα¹ ¹Ì¼ú´ëÀü ½É»çÀ§¿ø ¹× ¿î¿µÀ§¿ø
µ¿¾Æ¹Ì¼úÁ¦ ½É»çÀ§¿ø ¹× ¿î¿µÀ§¿ø
¼­¿ï¹Ì¼ú´ëÀü ¿î¿µÀ§¿ø
¼­¿ï½Ã ¿¹¼úÀ§¿ø
Çѱ¹¹Ì¼ú°¡Çùȸ ȸ¿ø

»óÈÆ
1990³â Á¦16ȸ Áß¾Ó¹®È­´ë»ó, Áß¾ÓÀϺ¸»ç
1996³â Çö´ë¹®ÇÐ 100Áֳ⠱â³ä '°¡Àå ¹®ÇÐÀûÀÎ Çѱ¹È­°¡»ó', ¹®ÀÎÇùȸ
2004³â ȲÁ¶±ÙÁ¤ÈÆÀå
2007³â ´ëÇѹα¹¹Ì¼úÀλó
2013³â Àº°ü¹®È­ÈÆÀå

°³ÀÎÀü
1956 °³ÀÎÀü, ÀüÁÖ
1964 ÃÊ´ë °³ÀÎÀü, ºô¸®ÁöÈ­¶û, ´º¿å
1964 °³ÀÎÀü, ¼­¿ï / ÀüÁÖ
1967 °³ÀÎÀü, ÀüÁÖ
1969 ¼Û¼ö³² Çѱ¹È­Àü, ½Å¹®È¸°üÈ­¶û, ¼­¿ï
1973 ¼Û¼ö³² °³ÀÎÀü, ½Å¼¼°èÈ­¶û, ¼­¿ï
1974 ÃÊ´ë °³ÀÎÀü, ¾çÁöÈ­¶û, ¼­¿ï
1975 ÃÊ´ë °³ÀÎÀü, ½º¿þµ§ ±¹¸³µ¿¾ç¹Ú¹°°ü
1977 ¼Û¼ö³² ÃÊ´ëÀü, ¸ÆÇâÈ­¶û, ´ë±¸
1978 ¼Û¼ö³² °³ÀÎÀü, µ¿»ê¹æÈ­¶û, ¼­¿ï
ÃÊ´ë °³ÀÎÀü, ´º¿åÈ­¶û, ´º¿å
1980 ÇÏ¿ÍÀÌ´ëÇÐ Çѱ¹Çм¾ÅÍ °³°ü±â³äÃÊ´ëÀü, ÇÏ¿ÍÀÌ
1983 ¼Û¼ö³² ÃÊ´ëÀü, Çö´ëÈ­¶û, ¼­¿ï
¼Û¼ö³² ÃÊ´ëÀü, ¸ÆÇâÈ­¶û, ´ë±¸
¼Û¼ö³² ÃÊ´ëÀü, Á¶¼±ºñÄ¡È­¶û, ºÎ»ê
1984 ¼Û¼ö³² °³ÀÎÀü, ´º¿å Çѱ¹¹®È­°ü
1985 ¼Û¼ö³² ÆÇÈ­Àü, Á¶¼±È­¶û, ¼­¿ï
1986 µ¿¾çÈ­ ÃÊ´ëÀü, °­³²Çö´ëÈ­¶û
¼Û¼ö³² ÃÊ´ëÀü, ºÎ»ê ÁøÈ­¶û
1988 ÀÚ¿¬°ú µµ½ÃÀü, µ¿»ê¹æÈ­¶û, ¼­¿ï
1989 ³²Ãµ ÆÇÈ­Àü, ûÀ۹̼ú°ü, ¼­¿ï
1991 ¼ö¹¬ÀÇ »ç°èÀýÀü, °¶·¯¸®¼­È£, ¼­¿ï
1995 ³²Ãµ ¼Û¼ö³²Àü, °øÆò¾ÆÆ®¼¾ÅÍ, ¼­¿ï
1997 ÀÚ¿¬°ú ¸í»óÀü, ¿¹³ª¸£, ¼­¿ï
³²Ãµ ¼Û¼ö³²Àü, ÅäÅ»¹Ì¼ú°ü, ¼­¿ï
2002 ³²Ãµ ¼Û¼ö³²Àü, ³ëÈ­¶û, ¼­¿ï
2004 ¿ì¸®½Ã´ëÀÇ ¼ö¹¬ÀÎ ³²Ãµ ¼Û¼ö³², °¡³ª¾ÆÆ®¼¾ÅÍ, ¼­¿ï
2005 °³ÀÎÀü - ²ÉÀº ¸¶À½¿¡ ÀÖ´Ù. ³ëÈ­¶û, ¼­¿ï
2008 °³ÀÎÀü, ¹é¼ÛÈ­¶û, ¼­¿ï
°³ÀÎÀü, °¶·¯¸®°¡À̾Æ, ¼­¿ï
2009 °³ÀÎÀü, ¿õ°¶·¯¸®, ¼­¿ï
¼Û¼ö³² ÃÊ´ëÀü, °¶·¯¸® H,¼­¿ï
2010 ³²Ãµ ¼Û¼ö³²Àü, Çѱ¹¼Ò¸®¹®È­Àü´ç, ÀüÁÖ
2011 °³ÀÎÀü, W°¶·¯¸®, ÀÍ»ê
2012 °³ÀÎÀü, °¶·¯¸® °¡À̾Æ
2013 '1980³â´ë ¿¹¼ú¿îµ¿ ÇöÀåÀÇ ÀÛ°¡µé-³²Ãµ ¼Û¼ö³²'Àü, ÀüºÏµµ¸³¹Ì¼ú°ü
ÃÊ´ëÀü-¸¶À½¿¡ ²ÉÇÇ´Ù, ÇÔÆò±º¸³¹Ì¼ú°ü, ÇÔÆò
2014 ±âÁõÀÛ°¡ Ưº°Àü ¼ö¹¬ÀÎ, ³²Ãµ ¼Û¼ö³², , ±¹¸³Çö´ë¹Ì¼ú°ü

´ÜüÀü
1964 Çö´ëÀÛ°¡ ÃÊ´ëÀü, Á¶¼±ÀϺ¸»ç
1967 Á¦9ȸ µ¿°æ±¹Á¦ºñ¿£³¯·¹, µ¿°æ
1970 Çѱ¹¹Ì¼ú´ë»óÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
Á¦2ȸ ÀεµÆ®¸®¿£³¯·¹, ´ºµ¨¸®
1971 ȸȭ ¿À´ÃÀÇ Çѱ¹È­, ¸íµ¿È­¶û
1972 Çѱ¹Çö´ëÀÛ°¡ 7ÀÎÀü, ¾Æ½Ã¾ÆÀç´ÜÈ­¶û, »÷ÇÁ¶õ½Ã½ºÄÚ
1973 Çѱ¹µ¿¾çÈ­ 10ÀÎÀü, µ¿°æ
Á¦12ȸ »óÆÄ¿ï·Î±¹Á¦ºñ¿£³¯·¹, »óÆÄ¿ï·Î
1974 Çѱ¹Çö´ëµ¿¾çÈ­Àü, áæ÷øãøûþÕÆ, µ¿°æ
Çö´ëÈ­¶û ±âȹÀü, Çö´ëÈ­¶û, ¼­¿ï
µ¿¾çÈ­6ÀÎ ÃÊ´ëÀü, ¹Ì±¹
Çö´ëÇѱ¹µ¿¾çÈ­Àü, ÔÔûÇûþÕÆ, ³ª°í¾ß
1975 µ¿¾çÈ­7ÀÎ ÃÊ´ëÀü, ½Å¼¼°èÈ­¶û
1976 Áß°ßÀÛ°¡ 21ÀÎ ÃÊ´ëÀü, µ¿»ê¹æÈ­¶û
Çѱ¹Çö´ëµ¿¾çÈ­´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
1977 Á¦13ȸ ¾Æ½Ã¾ÆÇö´ë¹Ì¼úÀü, µ¿°æ
Çö´ë¹Ì¼ú´ë»óÃÊ´ëÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
Çö´ëÇѱ¹È¸È­Àü, ¿À½ºÆ®·¹Àϸ®¾Æ
1978 µ¿¾çÈ­12ÀÎÀü, ½Å¹®È¸°ü
Çѱ¹¹Ì¼ú20³â µ¿ÇâÀü, ±¹¸³Çö´ë¹Ì¼ú°ü
1979 µ¿¾çÈ­°¡ÀÇ ´«À¸·Î º» Çѱ¹ÀÇ ÀÚ¿¬Àü, ±¹¸³Çö´ë¹Ì¼ú°ü
Çѱ¹¹Ì¼ú-¿À´ÃÀÇ ¹æ¹ýÀü, ¹Ì¼úȸ°ü
1981 Çѱ¹Çö´ëÀÛ°¡ µå·ÎÀ×Àü, ºÎ·çŬ¸°´ëÇб³¹Ì¼ú°ü, ´º¿å
µå·ÎÀ× 81Àü, ±¹¸³Çö´ë¹Ì¼ú°ü
Á¦7ȸ ¼­¿ïÇö´ë¹Ì¼úÁ¦, ¹Ì¼úȸ°ü
Á¦6ȸ ¿¡²Ã µå ¼­¿ïÀü, °üÈƹ̼ú°ü
¼ö¹¬È­ 4ÀÎÀü, µ¿»ê¹æÈ­¶û
¹é»ó¹Ì¼ú´ëÀü, ¹é»ó±â³ä°ü
¿À´ÃÀÇ ÀüÅëȸȭ 81Àü, °üÈƹ̼ú°ü
Çѱ¹¼ö¹¬È­Àü, ±¹¸³Çö´ë¹Ì¼ú°ü
1982 Ùø,
   Black & White µðÀÚÀÎ ¸ÔÀ¸·Î ¸»ÇÏ´Ù | ¼Û¼ö³² | Àç¿ø
   Black & White µðÀÚÀÎ ¸ÔÀ¸·Î ¸»ÇÏ´Ù | ¼Û¼ö³² | Àç¿ø
   Black & White µðÀÚÀÎ ¸ÔÀ¸·Î ¸»ÇÏ´Ù | ¼Û¼ö³² | Àç¿ø

ÀÌ ÃâÆÇ»çÀÇ °ü·Ã»óÇ°
ºó¼¾Æ® ¹Ý °íÈå | Àç¿ø
°ø±¸(Gong-Goo) | Àç¿ø ÆíÁýºÎ | Àç¿ø
¸Á·® | Àç¿ø
±Ç±âö(Ki-Chul Kwon) | ±Ç±âö | Àç¿ø
±Ç±âö(Ki-Chul Kwon) | ±Ç±âö | Àç¿ø
 
µµ¼­¸¦ ±¸ÀÔÇϽŠ°í°´ ¿©·¯ºÐµéÀÇ ¼­ÆòÀÔ´Ï´Ù.
ÀÚÀ¯·Î¿î ÀÇ°ß ±³È¯ÀÌ °¡´ÉÇÕ´Ï´Ù¸¸, ¼­ÆòÀÇ ¼º°Ý¿¡ ¸ÂÁö ¾Ê´Â ±ÛÀº »èÁ¦µÉ ¼ö ÀÖ½À´Ï´Ù.

µî·ÏµÈ ¼­ÆòÁß ºÐ¾ß¿Í »ó°ü¾øÀÌ ¸ÅÁÖ ¸ñ¿äÀÏ 5ÆíÀÇ ¿ì¼öÀÛÀ» ¼±Á¤ÇÏ¿©, S-Money 3¸¸¿øÀ» Àû¸³Çص帳´Ï´Ù.
ÃÑ 0°³ÀÇ ¼­ÆòÀÌ ÀÖ½À´Ï´Ù.