Ⅰ 문학의 본질 (1) 문학의 미적 기능 01. 모란이 피기까지는(김영랑)························· 008 (2) 문학의 인식적·윤리적 기능 02. 수오재기(정약용)························· 014 03. 산 속에서(나희덕)························· 022 Ⅱ 문학의 수용과 생산 (1) 문학 작품의 내용과 형식 04. 가는 길(김소월)························· 030 05. 슬픔이 기쁨에 게(정호승)························· 036 06. 황만근은 이렇게 말했다(성석제)························· 044 (2) 문학 작품의 수용과 소통 07. 눈물(김현승)························· 054 08. 유리창 1(정지용)························· 060 09. 난장이가 쏘아 올린 작은 공(조세희)························· 066 10. 참새(윤오영)························· 074 (3) 문학 작품의 재구성과 창작 11. 꽃(김춘수)························· 082 12. 파수꾼(이강백)························· 092 (4) 문학의 인접 분야와 매체 13. 납작납작 -박수근 화법을 위하여 (김혜순)························· 102 14. 메밀꽃 필 무렵························· 108 (이효석 원작, 동희선·홍윤정 극본) Ⅲ 한국 문학의 성격 (1) 한국 문학의 개념과 범위 15. 정읍사(작자 미상)·························118 (2) 한국 문학의 전통과 특질 16. 봉산 탈춤(작자 미상)·························124 (3) 한국 문학의 보편성과 특수성 17. 춘향전(작자 미상)·························134 Ⅳ 한국 문화의 역사 (1) 상고 시대~고려 시대의 문학 18. 주몽 신화(작자 미상)·························140 19. 제망매가(월명사)·························146 20. 모죽지랑가(득오)·························152 21. 동동(작자 미상)· ·························156 22. 가시리(작자 미상)·························170 (2) 조선 시대의 문학 23. 이생규장전(김시습)·························178 24. 시조 네 편(성삼문 외)·························190 25. 속미인곡(정철)·························204 26. 임경업전(작자 미상)·························218 (3) 개화기~일제 강점기의 문학 27. 산돼지(김우진)·························238 28. 태평천하(채만식)·························250 29. 쉽게 씌어진 시(윤동주)·························262 (4) 광복 이후의 문학 30. 광장(최인훈)·························276 31. 새들도 세상을 뜨는구나(황지우)·························290 32. 새 출발점에 선 당신에게(신영복) ·························302 Ⅴ 문학에 관한 태도 (1) 자아 성찰과 타자 이해 33. 흐르는 북(최일남)·························310 정답 및 상세해설 (오답노트) ················01 ~ 60